*COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE* Danny Janklow continues to be an exciting musical voice, and one of the most in-demand saxophonists of his generation. He not only has a deep connection to the music and its legacy, he has something profound to contribute to its future. Danny performs with uncompromising courage, experimental innovation, and provocative imagination while lending the language of Jazz to the grooves of R&B, Funk, and Indie Soul. Danny’s music is searingly personal, and grounded in calls for equal rights, justice, and love. Recognized at age 20, he was the youngest 1st place winner of the North American Saxophone Alliance Competition. Janklow began regularly subbing at the Village Vanguard for his mentor Dick Oatts in Vanguard Jazz Orchestra. In 2012, Janklow was awarded 1st place at the Detroit Jazz Festival Saxophone Competition and headlined the festival. As an accomplished composer, he was selected to participate in the Betty Carter Jazz Ahead program in 2013. Later that year, Danny was selected as a semi-finalist in the 2013 International Thelonious Monk Saxophone Competition. In early 2021, Danny celebrated a Grammy win for his integral performance on “Monk’estra plays John Beasley.” He has shared the stage with Stevie Wonder, Aloe Blacc, Burt Bacharach, & Herbie Hancock. Janklow has contributed iconic solos to Hip Hop recordings such as JID’s “Hereditary” and Earthgang’s “Cocktails” (Dreamville). Danny’s current projects include producing new music + multi-media, hosting The Creative Hero podcast, performing festivals & tours, and staying committed to his mission of propelling youth education. His available musical catalogue includes his albums “Elevation", "Worlds Collide", "Love Day Live", and the single "Rising Tide". Danny has been honored to perform as a bandleader and collaborator at prestigious venues such as Hollywood Bowl, Northsea Jazz Festival, Village Vanguard, The Apollo Theater, Ronnie Scotts London, Blue Note Tokyo, Blue Note NYC, Dizzy’s Club Coca Cola, & Disney Concert Hall. He regularly collaborates with top industry producers Terrace Martin and Larry Goldings. Danny has toured with sensational artists such as Gregory Porter, Eric Reed, Wallace Roney, Sheléa, and Harvey Mason Sr. https://www.youtube.com/watch?v=eIRJNQSi8xI 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ A mainstay of San Diego’s thriving jazz scene for more than a decade, Louis Valenzuela has distinguished himself as a guitarist who can deftly perform an array of jazz styles, as well as gospel and rhythm ’n’ blues. SD meets LA is just that, a night of collaboration from some of San Diego’s and LA’s best. Joining Louis are two standout figures from the Los Angeles jazz scene: Jake Leckie on bass and Chris Lawrence on trumpet. Jake Leckie brings a rich, versatile sound, blending jazz tradition with influences from classical, gospel, Latin music, and hip-hop, honed through years of performing with acclaimed artists and leading his own innovative projects. Chris Lawrence, a dynamic trumpeter, infuses the night with his soulful tone and commanding presence, a reputation built on his performances with top-tier musicians and his deep roots in the LA jazz community. Together, this trio promises an unforgettable evening of boundary-pushing jazz, uniting the vibrant energies of San Diego and LA in one electrifying performance. 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ Get ready for an electrifying night with the Aaron Lind Organ Trio! Led by Aaron Lind this trio brings a blend of blues, soul, and jazz that will have you on your feet. Each member promises exciting improvisations, transporting you to the heyday of 1960s organ trio magic, while seamlessly incorporating the best of present-day sounds. Get ready to dance and groove to a selection of tunes that pay homage to the classics and celebrate the contemporary essence of the organ trio experience. Aaron Lind is a recent addition to the San Diego music community, relocating from his longtime and beloved home of New Orleans in 2020. He holds a Master’s Degree in Jazz Studies and continues to further his education with jazz luminary Jonathan Kreisberg and local classical guitar legend Fred Benedetti. Aaron is a professor at Grossmont Community College, the jazz band director at Coronado School of Arts, and also runs a private teaching studio. He maintains a busy gigging schedule, currently performing with his organ trio, Voices of Our City Choir, monthly duo gigs with singers Leonard Patton and Whitney Shay, and solo jazz and classical guitar concerts around San Diego. 

MARY LATTIMORE Through evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements. “When I think of these songs, I think about fading flowers in vases, melted candles, getting older, being on tour and having things change while you’re away, not realizing how ephemeral experiences are until they don’t happen anymore, fear for a planet we’re losing because of greed, an ode to art and music that’s really shaped your life that can transport you back in time, longing to maintain sensitivity and to not sink into hollow despondency.” Memories, scenes, and split-second impressions have long filled Lattimore’s musical universe. As one of today’s preeminent instrumental storytellers, she has “the uncanny ability to pluck a string in a way that will instantly make someone remember the taste of their fifth birthday cake,” writes Pitchfork’s Jemima Skala. Lattimore’s impulse to record life as it happens matches her drive to travel and perform, as profiled by Grayson Haver Currin for The New York Times: “Lattimore recognized that being in motion shook loose strands of inspiration, moods she wanted to express with melody. She needed, then, to remain on the go.” That sense of fluidity has also made her a prolific collaborator outside of solo work. 2020’s Silver Ladders, recorded with Slowdive’s Neil Halstead, opened the door for Lattimore to widen the vision of her primary project as well, and its proper follow-up is the natural next scale. “All of these people I asked to contribute have deeply affected and inspired my life.” For the title and inspiration, Lattimore’s mind returns to the island of Hvar in Croatia, where she first saw those silver ladders at the water’s edge. “There’s a big old hotel there called the Hotel Arkada, and you could tell it had been hosting holiday-goers for decades in a great way. I walked around the lobby and the empty ballrooms and it looked like a well-worn, well-loved place. My friend Stacey who lives there told me to ‘say goodbye to Hotel Arkada, it might not be here when you get back’ and I heard soon after that it was actually going to be renovated in a very crisp, modern way.” Lattimore became fixated on the ingredients that make a place special — for Hotel Arkada, the patinaed chandeliers, the patternedbedspreads, the echoes of its intangible charm — and how when those leave this world, as they inevitably always will, it feels important to memorialize them, “to bottle it for a brief second.” JULIANNA BARWICK Julianna Barwick (she/her) is a Los Angeles based composer, vocalist, and producer who makes deep, reflective compositions rooted in the human voice.  Over the years she has made several critically acclaimed records. Her self-released debut “Sanguine” came out in 2007, followed by "Florine" in 2009, and “The Magic Place” in 2011. In 2013, she released "Nepenthe," which marked Barwick’s first steps into collaborating, working with producer and film composer Alex Somers in Reykjavík. She expanded her parameters further on “Will,” her 2016 album, enlisting more collaborators in Mas Ysa's Thomas Arsenault, Dutch cellist Maarten Vos, and Chairlift percussionist Jamie Ingalls. In July 2020 she released "Healing Is A Miracle," which featured Jónsi (Sigur Rós), Mary Lattimore, and Nosaj Thing, earning Pitchfork's coveted 'Best New Music' for 2020. Her many collaborations include making the music for a performance with the NYC dance company balletcollective, Ecstatic Music Festival, with modernmedieval, a record with Helado Negro as a duo name Ombre, and many more. She released “Circumstance Synthesis” EP, on RVNG Intl. sub-label Commend There, which were excerpts from a lobby score in partnership with Microsoft A.I., that responded to the environment in the downtown sky from New York’s Sister City Hotel, in 2019. Julianna took a natural step into the world of composing for film when she co-scored the short film I Remember Nothing. She has since gone on to score a number of short films and documentaries and is now more actively pursuing this area of her career, taking on more scoring opportunities alongside her artist work. 

*SHOW ONLY | 21+ | NO DINNER SERVICE* Charlie Arbelaez - Matt Hall - Irving Flores - Rene Camacho - Charlie Chavez - Mike Holguin The multifaceted musical force Charlie Arbelaez was born in Brooklyn, NY and moved to Fort Lauderdale, FL, at age 5. He began playing Alto Saxophone at age 10 for the band in middle school, and by age 13 was playing every Sunday at church. It was at this young age that he fell in love with playing his saxophone and performing. While in South Florida, Charlie shared the stage with many notable local jazz artists, including: Arturo Sandoval, Ira Sullivan, and Nestor Torres. When he graduated from South Plantation High School, he was the recipient of the top scholarship award from The Gold Coast Jazz Society. After briefly attending Florida International University for Jazz Studies on full scholarship, he auditioned for the United States Marine Corps Band in 2010 and honorably served at Marine Corps Recruit Depot San Diego from 2010-2014. While on active duty, Sergeant Arbelaez was tasked to go on various musical/educational tours throughout the United States, performing for hundreds of thousands of citizens at several highly distinguished functions as well as conducting masterclasses and clinics at numerous high schools and colleges. In 2015, Charlie recorded his self-titled and self-released debut CD, featuring: Gilbert Castellanos, Matt Hall, Jason Shattil, Danny Weller, and Willie Jones III. Charlie moved to New York in 2016 to attend SUNY at Purchase College and completed his Bachelor’s Degree (Magna Cum Laude) in less than two years. During his time as an undergrad, Charlie studied with Ralph Lalama, Gary Smulyan, David Hazeltine, Jon Faddis, Todd Coolman, Kenny Washington, Charles Blenzig, and Pete Malinverni, amongst others. In 2017, Charlie joined as a member of the Jazz @ The Jacobs Jazz Orchestra in San Diego for their debut performance. Charlie moved back to San Diego in 2018 to consistently perform with his groups, including hosting The Jazz Botanika Jam Session every Tuesday night at Queen Bee’s in North Park. In March of 2020, he was nominated for Best Jazz by the San Diego Music Awards. In August of 2020, he served as Director of Music for Queen Bee’s Arts and Cultural Center for 14 months. To date—Charlie has performed with many outstanding musicians in San Diego including Mundell Lowe, Marshall Hawkins, Gilbert Castellanos, Christopher Hollyday, Mike Wofford, and Holly Hofmann. Charlie is also an active educator; he was the Saxophone Professor at Palomar College and instructed gifted high school students at The Young Lions Jazz Conservatory, as well as having maintained a private studio both in person and online. As passionate as he is about education, Charlie obtained his Masters Degree in Jazz Studies from San Diego State University. Charlie is currently based in South Florida and maintains a balanced schedule as an in demand international artist. 

*Doors open at 6pm | Dinner starts promptly at 7pm* All shows at Lou Lou's are 21+ Lou Lou's is thrilled to welcome to our clamshell, The Matt Hall Jazz Orchestra. This ensemble is known for its high-energy performances and dedication to preserving and advancing the jazz tradition. We are pleased to welcome this epic line up of musicians. MATT HALL, Co-Leader / Featured Trombone Soloist LOUIS VALENZUELA, Co-Leader / Featured Guitar Soloist CHARLIE ARBELAEZ , Featured Alto Saxophone Soloist DAVE SCOTT, Vocals/Trombone Soloist CHRISTOPHER HOLLYDAY, Alto Sax ED SPILLANE, Tenor Sax DICK McGUANE, Tenor Sax CHUCK PHILIPS, Baritone Sax ERIK DEWHIRST, Trombone JEANNE GEIGER, Trombone SCOTT KYLE, Trombone ED GOROZA, Trombone (Bass) BILLY EDWALL, Trumpet PAUL SEAFORTH, Trumpet KARL SOUKUP, Trumpet EMANUEL HILL, Trumpet JOHN OPFERKUCH, Piano DOUG WALKER, Bass TYLER KREUTEL, Drums 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ Western Standard Time Ska Orchestra is a raw, powerful and in your face musical experience. This massive 20 piece group of All Star musicians is a spectacle to both watch and hear. With a horn section three times bigger than most other ska groups, WST breaks barriers and expands your imagination for what is possible. The groove is hard hitting and will definitely make you dance all night! WST Ska Orchestra has wowed fans headlining festivals both domestically and abroad in Mexico, Canada and t hroughout Europe. It boasts a killer All-Star lineup from the fabled West Coast traditional ska scene with members from The Aggrolites, Beastie Boys, Hepcat, Gogol Bordello, See Spot, The Allentons, Mobtown, Kingston 10, The Debonaires and many more. They have also collaborated with a number of vocalists over the years including Angelo Moore from Fishbone, Jesse Wagner from the Aggrolites, Greg Lee and Alex Desért from Hepcat, Chris Murray, The Expanders, Gina Saputo, Queen P, Vic Ruggiero from the Slackers, Mr. T-Bone from Italy and many more. This group of Jamaican Jazz gunslingers is rebranding the music of yesteryear and propelling it into the future! 

This evening, Lou Lou’s will be closed for a private affair—an intimate celebration tucked beneath the chandeliers and velvet glow. We know evenings out are special, and we never take it lightly when we must turn you away. Please accept our heartfelt apologies for the inconvenience. Nights like these are rare, but sometimes the room asks for a little secrecy. For your next night out, we invite you to check our calendar for upcoming dates featuring live music, good company, and the kind of evenings you won’t soon forget. With love and gratitude, Lou Lou’s at The Lafayette Hotel 

ELECTRICLOUIELAND PRESENTS: SUNDAY SERMONS COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ LouLou's Club on a Sunday night, The First Sunday Jazz Sermons take flight, Echoes of Minton's in every chord, Where legends jammed and spirits soared. 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ Ian Harland (b. 1991) is a San Diego-based jazz vibraphonist known for his virtuosic style and deep roots in bebop and post-bop. Starting his professional career at just 15, Harland has established himself as a dynamic presence on the San Diego jazz scene. His performances seamlessly fuse blues, Latin jazz, and swing into sophisticated, compelling musical narratives. Harland has collaborated with San Diego jazz icons such as Charles McPherson, Gilbert Castellanos, Karl Denson, showcasing his versatility and artistic depth. His vibraphone work is also featured on Justin Joyce’s debut album Story Tales and Mackenzie Leighton’s I Remember—two releases that highlight contemporary jazz styles. Currently, Harland is recording his debut album as a bandleader, a project centered on his original compositions with a focus on hard-bop and post-bop traditions. In addition to vibraphone, he regularly performs on drums and bass across San Diego, contributing to various ensembles in the local jazz and rock scenes. Ian Harland Vibraphone Quintet - ft. Matt Hall (trombone), John Opferkuch (piano), Julian Esparza (bass), Tyler Kreutel (drums), Ian Harland (vibes) IG @iharland 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ 10PM - "The future of classic country is Kimmi Bitter" as Saving Country Music boldly states. Driven by a hyper-obsession with the 1960s, Kimmi Bitter & the Westside Twang create a soundscape that blends old-school country with surf rock, psychedelic twangs, and a touch of mod flair. Creating a buzz from her grassroots efforts and vigorous touring, her debut album “Old School” hit the ground running in 2024 landing at #24 on the Americana Album Radio Chart with “My Grass is Blue” debuting on the Americana Single Radio Chart. This ain't your typical Nashville sound. "Old School" is a love letter to the Countrypolitan golden age, with a healthy dose of reverb-drenched twang and rock-n-roll swagger thrown in for good measure. Harmony-stricken ballads “My Grass is Blue” and “I Dream of You” have grown comparisons of a time when Patsy Cline with The Jordanaires overtook radio airwaves. Saving Country Music called "My Grass is Blue" "solid country gold," nominating it for Single of the Year alongside the likes of Charley Crockett and Sierra Ferrell. Though driving her career independently, Bitter is no stranger to building up her accolades. She found recognition in her hometown winning Best Country/Americana Artist and “My Grass is Blue” was nominated for Song of the Year by the San Diego Music Awards 2023. Her breakout album also skyrocketed to #1 on the Alt. Country Specialty Charts. 8PM - San Diego’s beloved singer/songwriter Chloe Lou Liddell fronts The Sidelong Glances, keeping the flame of traditional country music burning in San Diego with a honky-tonk A-team of Shae Moseley, drums; Philip McArdle, Telecaster; and Tom Ward, bass. Some Patsy and Dolly, some Willie and Waylon, all Country and Western. 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ This night is a rare treat where we present both the jazz origins of Matt DiBiase and his emerging DJ career as PlexusPlay 1st Set Matt DiBiase quartet 8pm-9:30pm As a jazz vibraphone virtuoso, Matt has long served as a staple in the San Diego jazz community - nominated for best jazz artist San Diego Music awards 2023, performing his own compositions and San Diego symphony hall, and sharing the stage with big SD jazz names like Gilbert Castellanos, Joshua White, Christopher Holiday, and many more. Matt’s quartet will showcase lots of original music and feature some of the best musicians in SD and LA. 2nd Set Plexusplay 10pm-11:30pm Plexusplay is a mallet percussionist, dance music producer and motion graphics artist based in Los Angeles. His shows fuse EDM energy, stunning 3D animations, virtuosic live vibraphone, a custom reactive LED suit, and interactive audience dances to create a live music experience unlike any other. PlexusPlay's sound integrates color bass, melodic house, lush harmonies and live improvisation to produce a show that’s as dazzling as it is impactful From audiovisual raves, to emotional breakdowns and dazzling solos, Plexusplay offers a wide range of possibilities for us to explore and immerse ourselves in. Plexusplay began studying xylophone at age 6. His hunger for learning has led him through rigorous conservatory training, electronic music production and animation workflows, even a college degree and publication in the neurosciences working at Harvard Medical School. Matt’s many talents make him a well-rounded composer and an unbounded music technologist. His skills have garnered him performances at at Electric Forest, America’s Got Talent, TEDx San Diego, Lightning in a Bottle, Burning Man, Insomniac's Beyond Wonderland, and more. Plexusplay implements interactivity between his instrument, visuals, and the audience in his shows. Unreal Engine, TouchDesigner, Ableton Live, and even a custom Plexusplay application create real-time multimedia experiences and even allow for audiences to choose their own adventure. Come join us for a full spectrum night showcasing the dance music of a century ago in the roaring 20s, and the dance music of today 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ Winner of the 2024 San Diego Music Award for "Best Jazz Artist" and nine time SDMA nominee for "Best Blues Artist" Mercedes Moore brings a unique blend of '50s/60's Swingin' Soul/Blues to the stage. With a background in Lindy Hop and Swing dancing her set list is designed to be up-beat and energetic with an emphasis on rhythms suitable for both partner dancing and freestyle solo fun. From Little Richard to Little Walter, from Etta James to James Brown! With Steve Wilcox on guitar (Candye Kane) Steve Pandis on Bass (Louis Prima Jr) Stephen Hodges on drums (Mavis Staples/Tom Waits) special guest Ed Kornhauser on piano 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ Whether in studio, on screen, or stage, Whitney Shay’s electric energy, soulful style, and powerhouse pipes keep listeners connected and coming back for more. In her hometown of San Diego Whitney Shay has been honored to win 5 San Diego Music Awards (including “Artist of The Year”), and a San Diego CityBeat Magazine "Best Of" Award. Abroad Shay has toured extensively throughout Europe and South America, and was nominated for a national Blues Music Award in 2019. In 2020 Shay’s album Stand Up! debuted at #1 on the Billboard Blues charts. Shay has received high praise from music critics calling the singer “a future blues icon” (Blues Matters!), “one of the next best things in soul music” (Blues and Rhythm Magazine), and “the epitome of a rising star” (Elmore Magazine). Shay’s tracks have been placed in TV/film, including shows on NBC, Fox, HBO, Bravo, BET, Hulu, and Tyler Perry’s A Madea Family Funeral. Juice Box is a San Diego based project fronted by drummer/composer Matthew Smith. Smith had this to say about the group, "I bought a suitcase rhodes from craigslist and took one whole month and wrote one song per day, with no real project in mind. I then took what songs I felt had the most impact and formed the group." At it's core Juice Box is an instrumental group, yet on the B side of it's debut and self titled release it features a San Francisco based vocalist "Lewis Gallardo" singing his song, Heartbreak Reprise. With a wide variety of influences that span from Hendrix to Hancock this group is truly one that is pushing the funk, soul and jazz boundaries. Live shows highlight a steady pocket while exploring the depths of the group's collective improvisation. 

This evening, Lou Lou’s will be closed for a private affair—an intimate celebration tucked beneath the chandeliers and velvet glow. We know evenings out are special, and we never take it lightly when we must turn you away. Please accept our heartfelt apologies for the inconvenience. Nights like these are rare, but sometimes the room asks for a little secrecy. For your next night out, we invite you to check our calendar for upcoming dates featuring live music, good company, and the kind of evenings you won’t soon forget. With love and gratitude, Lou Lou’s at The Lafayette Hotel 

This evening, Lou Lou’s will be closed for a private affair—an intimate celebration tucked beneath the chandeliers and velvet glow. We know evenings out are special, and we never take it lightly when we must turn you away. Please accept our heartfelt apologies for the inconvenience. Nights like these are rare, but sometimes the room asks for a little secrecy. For your next night out, we invite you to check our calendar for upcoming dates featuring live music, good company, and the kind of evenings you won’t soon forget. With love and gratitude, Lou Lou’s at The Lafayette Hotel 

*Doors open at 6pm | 21+ | Dinner starts promptly at 7pm.* Born in Guadalajara, Mexico, and raised in Fresno, California, Gilbert’s musical career was preordained; the only son to his eponym father, a touring Cumbia band leader, singer and arranger, Gilbert was strongly influenced by his predecessor’s deep appreciation for classical composers and big band jazz ensembles, broadening young Gilbert's horizons from an early age. Gilbert Sr. strongly encouraged Gilbert toward the Jazz genre when at first he showed an interest in trumpet at age 6. By age 11, Gilbert’s intensive training and education provided the context to begin playing professionally, and at age 15 he preformed with mentor and icon Dizzy Gillespie at the Monterrey Jazz Festival. A fierce advocate of formal jazz education, Gilbert held the position of Adjunct Professor of Jazz Studies at the University of Southern California's Thornton School of Music from 2001 to 2013. Thereafter, he served as the Artistic Director of the International Academy of Jazz San Diego from 2014-2016, during which time he began conducting high school workshops and developing a more proactive role in mentorship. During his time visiting Title I schools, he recognized a need for increased accessibility to formal education, noting that many truly gifted students were deprived the opportunities to further their education due to monetary constraints. Thusly, in 2016 Castellanos founded the Young Lions Jazz Conservatory based in San Diego, California. Using his influence in a burgeoning Jazz community, one he is credited in large with establishing, Gilbert began successfully soliciting donations for and supporting thousands of dollars of scholarship to finance Conservatory Education Equity for economically disadvantaged students of promise. To date, the Young Lions Jazz Conservatory has graduated hundreds of bright musicians of diverse backgrounds with Gilbert serving as personal mentor and advocate for each, often writing college recommendation letters and offering every one of his students "real world" experience each Wednesday evening at ensemble performances 

COMPLIMENTARY ENTRY | NO RESERVATION REQUIRED | SEATING ON A FIRST-ARRIVAL BASIS | NO DINNER SERVICE | 21+ "I am originally from Wales, but somehow I always knew I would end up in California. I started playing the saxophone when I was 11 years of age because I thought it might get me girls and I ended up really loving it. I got involved with Jazz early on and found that this was a solid foundation for understanding many more genres of music. I went to Paul McCartney's Liverpool Institute for the Performing Arts to get my music degree and after college I toured Europe, the US and Japan and played nearly every major festival in the UK as well as opening for people such as GOLDIE, THE EGG, BREAKBEAT ERA and GIL SCOTT HERON during the early 2000s. I was also part of the bands for PART TIME HEROES and THE NEXTMEN (with whom I wrote and sang the tune ROCKETS which has now had over 5.5 million streams on Spotify at time of writing) I was one of the first people in Europe to play saxophone with House music DJs and found that I was mostly interested in music that made people dance. This is the music I wanted to create. With the realization that the saxophone is not really a songwriting tool, I taught myself guitar and piano and I used my understanding of music theory to help me form bands and a unique solo show where I can pretty much incorporate all of my skills at once. I now consider myself a singer/songwriter first and foremost but I am consistently involved with a wide range of projects as well as my own band - THE JONNY TARR QUINTET. Since moving to the United States, I have been lucky enough to open for such legendary acts as THE VICTOR WOOTEN TRIO, OZOMATLI and THE FAMILY STONE, plus share the stage with Billy Gibbons of ZZ TOP, multi grammy award winning BEBE WINANS and I have written and recorded with MARIO CALDATTO JNR. the legendary producer of The Beastie Boys. I even got to be part of the opening act, THE PINK FLOYD EXPERIENCE for FOREIGNER’s Cold As Ice tour in 2019. I also recently won my second SAN DIEGO MUSIC AWARD for BEST POP ARTIST 2023 and headlined the NAMM show’s D’Angelico Stage with my Quintet. I just released my second studio album for San Diego’s PACIFIC RECORDS titled THE RULES and was just named as an OFFICIAL TAYLOR GUTARS ARTIST." 

*GENERAL ADMISSION | 21+ | ALL SEATING IS FIRST COME FIRST SERVED | NO DINNER SERVICE* Soul Sunday is a curated live music experience that blends soulful sounds with community connection. Rooted in San Diego, the event showcases top-tier musicians and emerging talent, delivering an immersive atmosphere where music lovers can vibe and connect. With a rotating lineup of live bands and special performances, Soul Sunday creates a space for authenticity, artistry, and unforgettable moments. Whether at a private gathering or a large-scale event, Soul Sunday is more than just a show—it’s a movement celebrating the power of live music.